PRODUCING ARTISTIC DIRECTOR
Native Voices Theatre Company, Los Angeles
Founded in 1993 and hailed by critics as “a hotbed for contemporary Native theatre,” Native Voices is the country’s only Equity theatre company dedicated to developing and producing new works by Native Americans, First Nations, Alaska Natives, Hawaiian Natives playwrights.

Fairly Traceable by Mary Kathryn Nagle (Cherokee)
Autry Museum, Los Angeles

They Don’t Talk Back by Frank Henry Kaash Katass (Tlingit Tribe Tsaagweidi)
Autry Museum, Los Angeles
Remounted La Jolla Playhouse, San Diego; Perseverance Theatre, Juneau, Alaska; Hoonah, Alaska; and Anchorage, Alaska.

Off the Rails by Randy Reinholz (Choctaw)
Autry National Center, Los Angeles

NDNZ in a Box, three one-act plays
There Is No "I" In NDN by Jennifer Bobiwash (Ojibway)
Stories from the Indian Boarding School by The Native Voices Ensemble
Joe the Bug Squashier by Joseph Valdez (Navajo)
Hollywood Fringe Festival, Los Angeles

Stand-Off at Hwy 37 by Vickie Ramirez (Tuscarora)
Autry National Center, Los Angeles
Remounted at the University of South Dakota

Birdhouse by Diane Glancy (Cherokee)
Autry National Center, Los Angeles

Cikiuteklluku: Giving Something Away by Holly Stanton (Yupik)
Perseverance Theatre and Out North Performing Arts in association with Alaska Native Heritage Center and Native Voices at the Autry, Anchorage, Alaska

Ghost Lands of an Urban NDN by Robert Owens-Greygrass (Lakota)
Autry National Center, Los Angeles

Walking on Turtle Island by Robert Owens-Greygrass (Lakota)
Autry National Center, Los Angeles

The Frybread Queen by Carolyn Dunn (Cherokee, Creek, Seminole)
Montana Repertory Theatre, Missoula, Montana
Autry National Center, Los Angeles

Tales of an Urban Indian by Darrel Dennis (Shuswap)
The Public Theatre, New York
Autry National Center, Los Angeles

Carbon Black by Terry Gomez (Comanche)
Autry National Center, Los Angeles

Wings Of Night Sky, Wings Of Morning Light by Joy Harjo (Creek)
Autry National Center, Los Angeles
Remounted: Alaska Heritage Center, Anchorage, Alaska; Joe’s Pub @ The Public Theatre, New York;
La Jolla Playhouse, San Diego; Merrimack College, North Andover, Massachusetts; Outpost Performance Space, Albuquerque, New Mexico; First Nations House of Learning, University of British Columbia Vancouver, BC, Canada

Salvage by Diane Glancy (Cherokee)
Autry National Center, Los Angeles
Remounted: Origins Festival, Riverside Theatres, London, England

Teaching Disco Square Dancing to Our Elders: A Class Presentation by Larissa Fasthorse (Sicangu Nation)
Autry National Center, Los Angeles

The Berlin Blues by Drew Hayden Taylor (Ojibway)
Autry National Center, Los Angeles
Remounted: The Smithsonian National Museum of the American Indian, Washington, D.C., and
The Smithsonian National Museum of the American Indian, New York

The Red Road by Arigon Starr (Kickapoo, Creek)
Autry National Center, Los Angeles
National tour to Washington, D.C., New York, Oklahoma, Iowa, and California. International tour in Australia.

Stone Heart by Diane Glancy (Cherokee)
Autry National Center, Los Angeles
Remounted: The Smithsonian National Museum of the American Indian, Washington, D.C., and
The Smithsonian National Museum of the American Indian, New York

Kino and Teresa by James Lujan (Taos Pueblo)
Autry National Center, Los Angeles

Please Do Not Touch the Indians by Joseph A. Dandurand (Kwantlen)
Autry National Center, Los Angeles

The BuzGem' Blues by Drew Hayden Taylor (Ojibway)
Autry Museum of Western Heritage, Los Angeles

Jump Kiss by Diane Glancy (Cherokee)
Autry Museum of Western Heritage, Los Angeles

Urban Tattoo by Marie Clements (Metis)
Autry Museum of Western Heritage, Los Angeles
Remounted: Aboriginal Voices Festival, Toronto, Ontario; The Glenbow Museum, Calgary, Alberta; New World Theatre, Amherst, Massachusetts; The University of Miami, Ohio

Native Radio Theatre Project
Collaboration between Native Voices and Native American Public Telecommunications

Melba’s Medicine by Rose-Yvonne Colletta (Apache) **
Super Indian by Arigon Starr (Kickapoo, Creek)
The Best Place to Grow Pumpkins by Rhiana Yazzie (Navajo) **
Super Indian: Full Length Version, (AFTRA) production by Arigon Starr (Kickapoo, Creek)
Why Opossum’s Tail is Bare, by the Students at the Youth Academy of the Eastern Band of Cherokee, Cherokee, North Carolina
The Peach Seed by Rhiana Yazzie (Navajo)
The Red Road by Arigon Starr (Kickapoo, Creek)
Raven’s Radio Hour by Jack Dalton (Yup'ik) and Ed Bourgeois (Mohawk)
** Chosen for imagine NATIVE Film & Media Arts Festival in Toronto, Canada, 2008

ASSOCIATE PRODUCER
The Baby Blues by Drew Hayden Taylor (Ojibway)
Centre Stage of Pennsylvania, University Park, Pennsylvania